Americans do not dub movies, refer them again. After the case Vanilla Sky / Open your eyes back in adapting a successful English film Quarantine, instant remake of REC.
And as for the many cases of Japanese films readjusted once again it is a horror, one of the best and most "American" among those shot outside the United States. Strangely, even quarantine, like Vanilla Sky, and unlike the j-horror, is a nearly perfect cast original, an exact copy of the history, the structure of the story in scenes, scenes, and the idea of \u200b\u200bthe fund. A copy each of the many small changes which matters a lot.
Faced with so many small differences, however, the real gap between REC and Quarantine is given on how the first face only pretend to imitate the style of amateur film that actually pursues the second one. Quarantine is actually film from start to finish and continues his speech all Hollywood horror staged hand-held camera through the lavished great care in lighting, the shots (carefully studied and made with great care), the effects of blur directing the gaze of the audience and attention to the items entering or leaving the scene out of sight.
The first and biggest difference between the two films we see now in the first shot: Scott, the cameraman who never see the original English comes into play. It is black. It will not be the only time you see him, but his appearances will sip this throughout the film, "normalized" in a sense his character. Similarly
are designed in a more canonical and therefore a bit 'characters even more depth of firefighters, especially in early scenes in the barracks.
Another expected change in character is the one that see the family become a family of Asian African and the disappearance of the old European figure very effeminate.
In line with the tendency to portray the U.S. in its security forces violently then there is a small but significant change in how the police not only to prevent people leaving the house but is also ready to kill them with snipers rather that let them escape.
finally disappears in the whole satanic anti-Catholicism (very typical English horror recently) that characterized the original character of the tenant on the top floor. Again, this is not seen Quarantine, but this time there is the voice imprinted on the tape to explain what happened and only a few clues are given the cards on the walls.
In terms of fees to the differences between horror Quarantine and REC is total. The Americans have their own laws and rules regarding the fear and in this sense, the dynamics of the film adapted by adding a few new scenes underlining or other more strongly. Over all very
stands as the "infected" roars like animals, in a sense anticipating their direction and brutal as you press the pedal a lot more on the gore. In fact, the American remake camcorder becomes a weapon often slammed against the face of the infected to defend themselves and there is much more bloodshed.
More generally, however, we can say that all the scenes hinge joints and the narrative were unchanged, and around them the added sequences were designed for "variations on a theme."
There's more the character of a drunkard and his dog infected that are deleted in another scene that includes adding an elevator. Similarly, there are sequences that provide the added presence of infected mice in the building. The presence and then find an explanation in the scenes on the top floor.
And just in terms of explanations come to my attention as Quarantine dwells much more in explaining the scientific reasons of contamination, theorizing a form of "anger" that is contagious and occurs instantly, and then refuses to give sense of what has given rise to epidemic
And as for the many cases of Japanese films readjusted once again it is a horror, one of the best and most "American" among those shot outside the United States. Strangely, even quarantine, like Vanilla Sky, and unlike the j-horror, is a nearly perfect cast original, an exact copy of the history, the structure of the story in scenes, scenes, and the idea of \u200b\u200bthe fund. A copy each of the many small changes which matters a lot.
Faced with so many small differences, however, the real gap between REC and Quarantine is given on how the first face only pretend to imitate the style of amateur film that actually pursues the second one. Quarantine is actually film from start to finish and continues his speech all Hollywood horror staged hand-held camera through the lavished great care in lighting, the shots (carefully studied and made with great care), the effects of blur directing the gaze of the audience and attention to the items entering or leaving the scene out of sight.
The first and biggest difference between the two films we see now in the first shot: Scott, the cameraman who never see the original English comes into play. It is black. It will not be the only time you see him, but his appearances will sip this throughout the film, "normalized" in a sense his character. Similarly
are designed in a more canonical and therefore a bit 'characters even more depth of firefighters, especially in early scenes in the barracks.
Another expected change in character is the one that see the family become a family of Asian African and the disappearance of the old European figure very effeminate.
In line with the tendency to portray the U.S. in its security forces violently then there is a small but significant change in how the police not only to prevent people leaving the house but is also ready to kill them with snipers rather that let them escape.
finally disappears in the whole satanic anti-Catholicism (very typical English horror recently) that characterized the original character of the tenant on the top floor. Again, this is not seen Quarantine, but this time there is the voice imprinted on the tape to explain what happened and only a few clues are given the cards on the walls.
In terms of fees to the differences between horror Quarantine and REC is total. The Americans have their own laws and rules regarding the fear and in this sense, the dynamics of the film adapted by adding a few new scenes underlining or other more strongly. Over all very
stands as the "infected" roars like animals, in a sense anticipating their direction and brutal as you press the pedal a lot more on the gore. In fact, the American remake camcorder becomes a weapon often slammed against the face of the infected to defend themselves and there is much more bloodshed.
More generally, however, we can say that all the scenes hinge joints and the narrative were unchanged, and around them the added sequences were designed for "variations on a theme."
There's more the character of a drunkard and his dog infected that are deleted in another scene that includes adding an elevator. Similarly, there are sequences that provide the added presence of infected mice in the building. The presence and then find an explanation in the scenes on the top floor.
And just in terms of explanations come to my attention as Quarantine dwells much more in explaining the scientific reasons of contamination, theorizing a form of "anger" that is contagious and occurs instantly, and then refuses to give sense of what has given rise to epidemic
MyMovies of 28/01/2009
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