E 'was a real pleasure to assist the other night at the concert Ennio Morricone at the Forum of Assago.
Morricone staked an orchestra of more than 100 items: a mighty and powerful sound that mixed the epic of many of his compositions, he delighted the audience. And weighing in
Morricone can not but bring to mind the genius of the Italian cinema of the past, that which would point to the rest of the world cinema, the Italian art of composing melodies.
Morricone has done it. And 'interesting to note, however, that the first director with whom he worked was the maestro Sergio Leone (and the rest made up for him among the most beautiful soundtracks, including the famous The Golden Age). Well, I discovered that Morricone and Leone were classmates at elementary. Perhaps even then if someone did not know you could not achieve any dream job?
Of course today the idea that to be born another Morricone makes you smile. If there were, who would work? Where to find opportunities to get noticed, how could refine the experience to emerge and dominate the world? If there was a new Morricone, a political boss who should refer to be heard, to make a test recording to settle for a director (in turn driven by who knows who).
Italian culture dies because of the talent and opportunities is interposed a funnel ever more closely.
I hope very much that there is a new Morricone around. Me forced her heart to see him squirm in quell'imbuto to damage and then die of suffocation.
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