Sunday, January 30, 2011

Kates Playground Kate Comes In The Shower

review "Lorna"


Review on "Internal Communication"

http://www.comunicazioneinterna.it / dettaglio_ascolti.php? id = 1602

Thursday, January 20, 2011

Coating Erosive Esophagitis

review "Lorna"


Blow up (January 2011)

When he came "Dead Sea", the poetic purpose of Pieralberto Valli in Santa Barbara arts manifests itself in its full meaning from the box, the cd only at the end of a libel text, so that hard work was the classification of music or writing. Today, with "Lorna" is the tempo of the music, which takes precedence is determined in the exclusive choice of the cd which format, which character is conditioning the new course, much richer sound, without tensions and styles at the expense of writing ever ready-to-wear or disposable: not nobody dancing dress for occasions is unconventional, his every syllable expands like an accordion, with modest rhythmic sonic fury terminal in mainstrindie the reference is to the universe that moves from the earliest Moltheni and Crush to get in the basement of Stone and worms in the maelstrom of Morose, with a decline noir views known to the lexical Giancarlo Onorato, Marco Parente but in addition a strong minimal subtraction. Valleys can make the most from the arrangement between the strings and his voice (the deandreiana Shipwreck ), working on breathing and religious care and stamp the word ( man in a dream Teutonic close), making the truce skeletal arms. E 'song writing, one wonders about Trail Dust , Or rather free speech in verse hermetic made wet by the sound duct, which requires a level of care equal to that report? The musical culture of a country also depends on how this works, it could not be prayer calendar systemic inaugural anthology, cut off from each other but with stripes design grid and dynamic synthetic covertly that invade the body. Canto seabed disturbance such as crickets with the tip of arpeggio, an open window on the quiet summer night, Nudes backs with interesting kraut-oriented solutions with the right balance between the demands of tradition "off "the interpreter and the openings wide open folktronica contemporary instrumental, and even less that tribal percussion Diego Sapignoli in The Carousel and bells Carousel 2 define the album in the alert for a Tori sterile that crackles torment. Synthrock in opposition with the long descent of the title track-one of the chapters of preferential heat-punk desert hiccups and rattle, the floor of the dismal Naddei Franco from Italy to Year Zero Pilots sepia whose plaster fall in slow motion on some molds Radiohead Matt Elliott dismasted and stripped, then the high coercion metric Finisterre to overcome several stomp, whims and changes of psychoacoustic log on guitar. Since almost unique experience in national territory, "Lorna" in Santa Barbara could only find fertile ground in lateral thinking such as that developed over the years from the den of the King Biscio, which returns a natural resistance to wish long life.

Saturday, January 15, 2011

Parts Diagram Sausage Machine

review "Lorna"

Review "Lorna" at Events Romagna: http://www.e20romagna.it/articolo.php?articolo=7135

Best Entry Level Home Theater Receiver

review "Lorna"

Review "Lorna" about Nerds Attack http://www.nerdsattack.net/?p=22003

Tuesday, January 11, 2011

Used Conversion Vans Fairfax Va

Clint, Aldo, Giovanni e Giacomo


Curiously, two of the most successful films of this period are very similar (at least in structure, but not only). Clint Eastwood are the Hereafter and that of Aldo Giovanni e Giacomo The gang of Santas. Both films
tell the parallel stories of three characters who find themselves at the end of the film to make sense of what they have experienced.
It 'goes without saying that the stories of the two films are totally different. That of Aldo Giovanni e Giacomo is a gentle comedy, well-constructed, funny at times that passes two hours relaxing without being ashamed of having entered the cinema. The films of Clint is a different thing. It 's a movie about death (the three characters are involved in various ways by the experience of the afterlife) and offers some reflections on death: what's next? The chief merit of the film (he has several) is to totally ignore the religious aspect of the matter, but about people who have direct experience, more or less traumatic, and their doubts that they can also be our doubts. For the rest of the film is moving and exciting lives of the sobriety that has made a feature film of Eastwood, then get to know his heart, without exaggeration, without rhetoric, without cunning. And besides, these are the main qualities of the film by Clint.
But another thing unites two seemingly very different film. Both are enjoying considerable success at the box office. Both have to surpass the horrid cinepanettoni De Sica and De Laurentiis.
It should be emphasized, because, along with other analyzed long ago, this is a sign of change. It expresses the common desire, the need felt to reflect, to reason, to want to watch and listen to stories, knowing that it can not be more than the vulgarity of carelessness, and the useless dell'indecoroso, even to the movies as well as on TV. The failures of horrifying television broadcasts Recent confirm this trend. Whether you go on, please ...