Thursday, January 20, 2011

Coating Erosive Esophagitis

review "Lorna"


Blow up (January 2011)

When he came "Dead Sea", the poetic purpose of Pieralberto Valli in Santa Barbara arts manifests itself in its full meaning from the box, the cd only at the end of a libel text, so that hard work was the classification of music or writing. Today, with "Lorna" is the tempo of the music, which takes precedence is determined in the exclusive choice of the cd which format, which character is conditioning the new course, much richer sound, without tensions and styles at the expense of writing ever ready-to-wear or disposable: not nobody dancing dress for occasions is unconventional, his every syllable expands like an accordion, with modest rhythmic sonic fury terminal in mainstrindie the reference is to the universe that moves from the earliest Moltheni and Crush to get in the basement of Stone and worms in the maelstrom of Morose, with a decline noir views known to the lexical Giancarlo Onorato, Marco Parente but in addition a strong minimal subtraction. Valleys can make the most from the arrangement between the strings and his voice (the deandreiana Shipwreck ), working on breathing and religious care and stamp the word ( man in a dream Teutonic close), making the truce skeletal arms. E 'song writing, one wonders about Trail Dust , Or rather free speech in verse hermetic made wet by the sound duct, which requires a level of care equal to that report? The musical culture of a country also depends on how this works, it could not be prayer calendar systemic inaugural anthology, cut off from each other but with stripes design grid and dynamic synthetic covertly that invade the body. Canto seabed disturbance such as crickets with the tip of arpeggio, an open window on the quiet summer night, Nudes backs with interesting kraut-oriented solutions with the right balance between the demands of tradition "off "the interpreter and the openings wide open folktronica contemporary instrumental, and even less that tribal percussion Diego Sapignoli in The Carousel and bells Carousel 2 define the album in the alert for a Tori sterile that crackles torment. Synthrock in opposition with the long descent of the title track-one of the chapters of preferential heat-punk desert hiccups and rattle, the floor of the dismal Naddei Franco from Italy to Year Zero Pilots sepia whose plaster fall in slow motion on some molds Radiohead Matt Elliott dismasted and stripped, then the high coercion metric Finisterre to overcome several stomp, whims and changes of psychoacoustic log on guitar. Since almost unique experience in national territory, "Lorna" in Santa Barbara could only find fertile ground in lateral thinking such as that developed over the years from the den of the King Biscio, which returns a natural resistance to wish long life.

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