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Review "Lorna"


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Because the stage of Sanremo is cursed


I was the author of the Sanremo Festival in 1998. A Sanremo
everything is exaggerated: it is abnormal to the attention of newspapers and television (in relation to the type of event), is disproportionate public attention, is excessive damage to the importance for all those four days.
In those days of 98 I was almost always closed Ariston where you wrote, it worked and it was thought the steps and the beat to say in various events. But those few times we went out to make two steps to clear his mind was being affected in a physical manner by these excesses. Everywhere in the city of television crews large and small crowds of people waiting for the VIP and nip, people camped out in front of Hotels who are happy to see anyone go any relationship with the event ("look, is the cousin of the grandson of Albania!").
It was a bit 'to laugh at me every now and then I could watch these events with a minimum of decent posting. Yet the climate of Sanremo
infects everything and everyone. E 'for all those who participate in the event of life. I could not figure out if this depends on the climate that you can breathe, or if it is actually Sanremo may result in better or worse, a career. The fact is that the stage of Sanremo is cursed. About the crowd feels the weight, it suffers from the enormity, is tormented by the responsibility of being able to stand on it. That year the Festival led
Raimondo Vianello and I, who have worked with him for more than two decades, for the first time, the first night of the Festival, I saw Raymond excited. It had never happened before with any other transmission. But there, on the first night game appema the symbol and Raymond appeared on stage, because I was in the side, behind the scenes, I spoke with olui foin a moment before, I followed him as he entered the scene, Well, I saw it with saliva to zero and the words that became entangled. At that moment I realized how difficult it out alive from the Sanremo Festival.
And these days a little 'me laugh when I hear criticism for the gaffe, uncertainties and other Morandi. Impossible not to have!
Pass that test is really difficult. And it is also difficult to write scripts for Sanremo: finding that balance between the songs in the race and the show that you do not get bored of each other. This year we are quite successful, I think.

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I recently saw this picture of Magritte Museum in Brussels.
's really a symbolic picture of our times: the contradiction. In the sky it is day, but in the landscape at night. How many things in life for all of us are so strangely contradictory?

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LAMPEDUSA - Do not stop landings of illegal immigrants and in recent days are over one thousand immigrants arrived on Italian shores. Landings there were also very late last night and tonight. The 137 migrants were being conducted on the premises of the parish of Lampedusa, the island will be taken to a hotel, "the turquoise bay.

are 181, including 16 minors, migrants arrived in Lampedusa this morning after being rescued by the Coast Guard on a boat six miles off the island. All said they come from Tunisia. Meanwhile, another boat with about seventy-country was intercepted a few miles from the coast by a patrol boat Coast Guard and has just arrived in port.

the last 24 hours are over a thousand immigrants arrived on Lampedusa. Some of them have already been embarked yesterday on the liner to Porto Empedocles, the others will be transferred the same day.

Maroni: risk real humanitarian emergency. "As I feared the serious social and political crisis in the Maghreb, particularly Tunisia and Egypt, is leading to a mass exodus. In particular, from Tunisia to Italy. There is a real risk of humanitarian emergency. " It is the alarm raised by Interior Minister Roberto Maroni, this morning at a conference in Venice. Maroni has therefore announced that "the Next week, next Thursday, I have convened the National Committee for the order and security to which I invited the Foreign Minister, to decide the most appropriate measures, of course I asked the involvement of the European Community, because the necessary tools to remedy this situation can not be fielded from Italy. "
by Il Messaggero

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review "Lorna"


History of Music (Peter De Giampaolo ) :

http://www.storiadellamusica.it/Santo_Barbaro_-_Quasi_al_centro_di_Lorna.p0-a877

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review "Lorna"

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When he came "Dead Sea", the poetic purpose of Pieralberto Valli in Santa Barbara arts manifests itself in its full meaning from the box, the cd only at the end of a libel text, so that hard work was the classification of music or writing. Today, with "Lorna" is the tempo of the music, which takes precedence is determined in the exclusive choice of the cd which format, which character is conditioning the new course, much richer sound, without tensions and styles at the expense of writing ever ready-to-wear or disposable: not nobody dancing dress for occasions is unconventional, his every syllable expands like an accordion, with modest rhythmic sonic fury terminal in mainstrindie the reference is to the universe that moves from the earliest Moltheni and Crush to get in the basement of Stone and worms in the maelstrom of Morose, with a decline noir views known to the lexical Giancarlo Onorato, Marco Parente but in addition a strong minimal subtraction. Valleys can make the most from the arrangement between the strings and his voice (the deandreiana Shipwreck ), working on breathing and religious care and stamp the word ( man in a dream Teutonic close), making the truce skeletal arms. E 'song writing, one wonders about Trail Dust , Or rather free speech in verse hermetic made wet by the sound duct, which requires a level of care equal to that report? The musical culture of a country also depends on how this works, it could not be prayer calendar systemic inaugural anthology, cut off from each other but with stripes design grid and dynamic synthetic covertly that invade the body. Canto seabed disturbance such as crickets with the tip of arpeggio, an open window on the quiet summer night, Nudes backs with interesting kraut-oriented solutions with the right balance between the demands of tradition "off "the interpreter and the openings wide open folktronica contemporary instrumental, and even less that tribal percussion Diego Sapignoli in The Carousel and bells Carousel 2 define the album in the alert for a Tori sterile that crackles torment. Synthrock in opposition with the long descent of the title track-one of the chapters of preferential heat-punk desert hiccups and rattle, the floor of the dismal Naddei Franco from Italy to Year Zero Pilots sepia whose plaster fall in slow motion on some molds Radiohead Matt Elliott dismasted and stripped, then the high coercion metric Finisterre to overcome several stomp, whims and changes of psychoacoustic log on guitar. Since almost unique experience in national territory, "Lorna" in Santa Barbara could only find fertile ground in lateral thinking such as that developed over the years from the den of the King Biscio, which returns a natural resistance to wish long life.

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Clint, Aldo, Giovanni e Giacomo


Curiously, two of the most successful films of this period are very similar (at least in structure, but not only). Clint Eastwood are the Hereafter and that of Aldo Giovanni e Giacomo The gang of Santas. Both films
tell the parallel stories of three characters who find themselves at the end of the film to make sense of what they have experienced.
It 'goes without saying that the stories of the two films are totally different. That of Aldo Giovanni e Giacomo is a gentle comedy, well-constructed, funny at times that passes two hours relaxing without being ashamed of having entered the cinema. The films of Clint is a different thing. It 's a movie about death (the three characters are involved in various ways by the experience of the afterlife) and offers some reflections on death: what's next? The chief merit of the film (he has several) is to totally ignore the religious aspect of the matter, but about people who have direct experience, more or less traumatic, and their doubts that they can also be our doubts. For the rest of the film is moving and exciting lives of the sobriety that has made a feature film of Eastwood, then get to know his heart, without exaggeration, without rhetoric, without cunning. And besides, these are the main qualities of the film by Clint.
But another thing unites two seemingly very different film. Both are enjoying considerable success at the box office. Both have to surpass the horrid cinepanettoni De Sica and De Laurentiis.
It should be emphasized, because, along with other analyzed long ago, this is a sign of change. It expresses the common desire, the need felt to reflect, to reason, to want to watch and listen to stories, knowing that it can not be more than the vulgarity of carelessness, and the useless dell'indecoroso, even to the movies as well as on TV. The failures of horrifying television broadcasts Recent confirm this trend. Whether you go on, please ...

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That day at the Dakota


"I heard the news on the radio. I had come to New York six months before, to try to be a journalist. Without great success, until that day, 8 December 1980. I lived on the West Side, a few subway stops from 72nd street, but light years away from the elegance sophisticated Dakota, the building where John Lennon lived: an old building, the architecture of Manhattan, in Gothic style, vaguely menacing. There lived other VIPs, such as the actress Lauren Bacall, Roman Polanski, but not randomly chose him circled for Rosemary's baby, the film where John Cassavetes plays the devil's decided to put the poor pregnant Mia Farrow. Something of that scary place. Now everyone knew why.

When I arrived, there was the bloodstain on the sidewalk in front of the door, enclosed by yellow police tape. Plainclothes and uniformed police were still gathering evidence. But there was so many other people in front of the Dakota: young and old, hippies and ex-hippie, someone with a guitar, with many radios glued to your ear. They left flowers on the pavement, crying, singing his songs. The vigil went on all night, and the next day, December 9, had become a siege, which overflowed the adjacent lawn of Central Park, thousands and thousands of people, convened by word of mouth or by a simple need to be there, not to wait for an official funeral or sympathy, to show at once, spontaneously, the pain. The


radio stations in New York participated in their own way, constantly transmitting the most popular songs of Lennon, since the Beatles to the most recent, and when the radio hanging from tree branches Central Park sounded notes of Imagine, the song became one of the hymns of pacifism, he seemed to hear a collective sigh rise from the park.

Someone wrote in those days it was as if she were dead, along with John Lennon, age, and it was so, even if we on the lawn in Central Park was well aware there is none: the '70s were over, years of ideologies, rebellions, protests, the attempt to split, and as full of errors to create a better world, and was starting another decade, the '80s, it would be very different, with President Ronald Reagan in Washington , Prime Minister Margaret Thatcher in London, the yuppies in the place of the hippies. "
(Henry Franceschini, La Repubblica)

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when the day swimming and gets lost between
reflections of humanity uncertain


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review "Lorna"


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Series B Monicelli


Yet, until twenty years ago no one considered him a master.
Mario Monicelli has represented for decades the film series B. Makes even more sense to say now, in a country that forgets easily and is queued to the feelings of the majority of the films that did Monicelli by critics, and intellectuals (especially those on the left) by the authors of the history of cinema, cinema was considered a minor , a little 'stupid, so good for a laugh, but nothing more. The teachers were others. In the 60 and 70 (years in which Monicelli has outdone itself) is called the master Luchino Visconti, Francesco Rosi, Michelangelo Antonioni, Pasolini Pierpoalo.
Certainly, the fact that Monicelli propose the kind of comedy had its weight. The comedy has always been considered a minor genre. Yet nothing like the play in Italy has been able to truly represent the soul, the true essence of a country. As we have tried to downgrade (for example, calling Italian comedy, rather than Italian, wanting to belittle the strength), the comedy in the 60 and 70 was essential to know and understand the Italians, their vices, their pettiness, but their heroism. From Unknown thieves on (by Monicelli, of course) is that of 1958, Italy the art of getting by, the sweet tenderness of her DUMB citizens harassed and exploited, were protagonists of the film mass of those years. At the time these films filled the halls and have contributed significantly to create a social fabric of consciousness is still essential. Monicelli And he was one of the main architects. While intellectuals pontificate on art films, Monicelli worked and had the real Italian to Italy, made them know, love and hate. Only a cynic like him could do that with grace. Luckily, it was always considered an author of series B, otherwise it would have ruined.

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review "Lorna" The introduction of


Review "Lorna"

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Sergio Segio


From the website of Sergio Segio (www.micciacorta.it "):

http://www.micciacorta.it/component/content/article/25-libri/1969-esce-lorna-il-nuovo-cd-di-santo-barbaro.html