Tuesday, May 26, 2009
Friday, May 8, 2009
Dogs Temazepam How Much Sedate
And Wolverine beats pirates
"Beautiful! I'm going to definitely see in the cinema!" so says one of the many users who have illegally downloaded Wolverine before its release to the movies took place this weekend, and should not be the only one to have thought so. The film has now grossed well indeed: about $ 87 million in its opening weekend, a little less of those 98 million a year ago went to register Iron Man, and in Italy reached the 2 million euro in 2003 as did the homologous X-Men 2. Yet
Wolverine had to be a case in point was available online in defiance of the copyright a month ago, but never a Hollywood movie was so important to put in so much time before the network! 30 days where the downloads were so many, well one million in its first week. Yet the film collects well. He does this despite the fact that it is not much of a girlfriend, and despite the fear of swine fever for which advise against all congregate indoors.
All this confirms that, despite everything that is said, piracy does not actually damage the salt. Who chooses the room chooses to leave home, go to around and do something in social places in the city, while a pirated movie, if anything, is in competition with other types of home entertainment such as home video.
The question then arises as to the damage of piracy and how it is attributable to the fact that there is an identical offer legal but at a reasonable cost. If those millions of illegal downloads were legal and paid instead (to be added to the millions of tickets sold) could still speak of losses for the industry?
by La Gazzetta dello Sport of 06/05/2009
Wolverine had to be a case in point was available online in defiance of the copyright a month ago, but never a Hollywood movie was so important to put in so much time before the network! 30 days where the downloads were so many, well one million in its first week. Yet the film collects well. He does this despite the fact that it is not much of a girlfriend, and despite the fear of swine fever for which advise against all congregate indoors.
All this confirms that, despite everything that is said, piracy does not actually damage the salt. Who chooses the room chooses to leave home, go to around and do something in social places in the city, while a pirated movie, if anything, is in competition with other types of home entertainment such as home video.
The question then arises as to the damage of piracy and how it is attributable to the fact that there is an identical offer legal but at a reasonable cost. If those millions of illegal downloads were legal and paid instead (to be added to the millions of tickets sold) could still speak of losses for the industry?
by La Gazzetta dello Sport of 06/05/2009
Archers Choice Or Riflehunter
JJ Abrams brings to his film Star Trek YouTube
JJ Abrams Star Trek made its facilities. Not only has made the last film in the series (infinite?) pushing forward the "last frontier" to explore uncharted areas of space, but has reset at will.
This is most obvious after watching the new Star Trek that invade the Italian cinemas (in the contemporary world) from May 8, the action takes place before the original series and tells of the early life of Kirk, Spock, McCoy and all the crew history. The academy, the first positions, the rivalries and so on. etc.. But do not think that Abrams has adjusted to the long history and needs of "consistency" with everything that has already been said. The genius behind Lost has made his Star Trek with its rules, its characters, its traumas and its characters.
The film starts off with a trip back in time to change history, so everything we see is an alternate reality in which things happen that are different from those already done so precisely because of the initial event. It is the alternate reality of JJ Abrams. Welcome.
as no surprise then that more resemble a classic Star Trek movie last longer possesses the characteristics that made him famous Lost: suspense, frantic action (it starts at the beginning and will run no more stops!) And a context of mystery and fascination that captivates. The film by JJ Abrams has gone beyond all expectations, even farther than we hoped when, in November, the author had come to Rome to present the exclusive 20 minutes of the film and it was possible to approach him for a few bars.
On that occasion the strangest thing (and then after the movie has proved to be effective!) Was the way in which the director remarked that he wished to please fans of the series with his film: "When we put Enterprise Network in the first picture from the movie someone said that it sucked because the engines were too big. Now, I know that there are purists but to me the thing that interests me most of all is to make a film ' entertainment and not something for both fans who have something to say. " From
already talking about how you understand it but then he to state: not at all an expert on the series and has accepted this role only because the plot of the movie really intrigued him. That's why so little attention to the fans of the vaunted (but actually is not true, the script was in Roberto Orci, one of the greatest experts trekkiana continuity and the film is full of references and goodies that catch only the lovers). Put in the
JJ Abrams is definitely not easy. What do you think Star Trek has been able to anticipate and then he realized that in our present? "And if now I would say that teleport?" I would say that if it disappears from here I'm sure it reappears on the island: "Ahahahahah! Seriously the communicator science fiction at the time were similar device but now are on the agenda while things like time travel or warp speed are ridiculous now as then. "
time of the interview but no one could imagine the whole movie has many similarities with a lot of things already seen. There are white lit environments such as 2001: A Space Odyssey, there are subway stations that resemble the project and there is a Dharma snowy planet reminiscent of Star Wars but already knew that discussion Abrams get their hands on, "I'm sure I was influenced in some way. For example, the bar of my scenes are like those of Star Wars but in a different background, there was a place alien while my bar is a bar that I go too. But in the end of six Star Wars films were made and I can not think of anything that has not represented: the planets of the snow, the sky, fire, love, etc.. etc.. Three of those films are so full of images and characters, aliens, eyes, blue people ... It 's impossible to do without science fiction approach.
And the final question on what might be the futuristic appeal of something like Star Trek in a country traditionalist and technologically arrancante as our safe Abrams replied: "I think the science of Star Trek has little to do with history or his emotions. There are those who loves and is passionate about the idea or the effects last cliché border, but then what I personally love about Star Trek and I think that makes it different from Star Wars is that it is a sincere vision of our future. Then a most backward country can have perhaps even more interesting because it's still science fiction. "
by WIRED.IT on 08/05/09
This is most obvious after watching the new Star Trek that invade the Italian cinemas (in the contemporary world) from May 8, the action takes place before the original series and tells of the early life of Kirk, Spock, McCoy and all the crew history. The academy, the first positions, the rivalries and so on. etc.. But do not think that Abrams has adjusted to the long history and needs of "consistency" with everything that has already been said. The genius behind Lost has made his Star Trek with its rules, its characters, its traumas and its characters.
The film starts off with a trip back in time to change history, so everything we see is an alternate reality in which things happen that are different from those already done so precisely because of the initial event. It is the alternate reality of JJ Abrams. Welcome.
as no surprise then that more resemble a classic Star Trek movie last longer possesses the characteristics that made him famous Lost: suspense, frantic action (it starts at the beginning and will run no more stops!) And a context of mystery and fascination that captivates. The film by JJ Abrams has gone beyond all expectations, even farther than we hoped when, in November, the author had come to Rome to present the exclusive 20 minutes of the film and it was possible to approach him for a few bars.
On that occasion the strangest thing (and then after the movie has proved to be effective!) Was the way in which the director remarked that he wished to please fans of the series with his film: "When we put Enterprise Network in the first picture from the movie someone said that it sucked because the engines were too big. Now, I know that there are purists but to me the thing that interests me most of all is to make a film ' entertainment and not something for both fans who have something to say. " From
already talking about how you understand it but then he to state: not at all an expert on the series and has accepted this role only because the plot of the movie really intrigued him. That's why so little attention to the fans of the vaunted (but actually is not true, the script was in Roberto Orci, one of the greatest experts trekkiana continuity and the film is full of references and goodies that catch only the lovers). Put in the
JJ Abrams is definitely not easy. What do you think Star Trek has been able to anticipate and then he realized that in our present? "And if now I would say that teleport?" I would say that if it disappears from here I'm sure it reappears on the island: "Ahahahahah! Seriously the communicator science fiction at the time were similar device but now are on the agenda while things like time travel or warp speed are ridiculous now as then. "
time of the interview but no one could imagine the whole movie has many similarities with a lot of things already seen. There are white lit environments such as 2001: A Space Odyssey, there are subway stations that resemble the project and there is a Dharma snowy planet reminiscent of Star Wars but already knew that discussion Abrams get their hands on, "I'm sure I was influenced in some way. For example, the bar of my scenes are like those of Star Wars but in a different background, there was a place alien while my bar is a bar that I go too. But in the end of six Star Wars films were made and I can not think of anything that has not represented: the planets of the snow, the sky, fire, love, etc.. etc.. Three of those films are so full of images and characters, aliens, eyes, blue people ... It 's impossible to do without science fiction approach.
And the final question on what might be the futuristic appeal of something like Star Trek in a country traditionalist and technologically arrancante as our safe Abrams replied: "I think the science of Star Trek has little to do with history or his emotions. There are those who loves and is passionate about the idea or the effects last cliché border, but then what I personally love about Star Trek and I think that makes it different from Star Wars is that it is a sincere vision of our future. Then a most backward country can have perhaps even more interesting because it's still science fiction. "
by WIRED.IT on 08/05/09
Monday, May 4, 2009
Is 1.5mg Of Alprazolam To Much
change
After 4 years of life, countless video loaded and an even more videos viewed by users, causes after millions for breach of copyright, billion-dollar acquisition by Google and YouTube change the never ending controversy and design philosophy. To compel, as always, the box office. Because despite being a
of the most visited of all the network and although it is a database of unique video, the YouTube can not make money as it should. In the jargon it is said that "monetize users," meaning that each visit does not turn properly in cash, which is crucial for a totally free service. To monetize
thus changing design and especially internal organization. Today, the categories are shown on the home page of its own (and which reflect the philosophy of the site) Videos, Channels, and Communities. Three categories marked by the contributions of users. From April 16 the site instead will split in Movies, Music, and Video Show will be the only one of four new categories to encompass the videos posted by users, otherwise it will material considered "professional" and authorized by the copyright holders. Do not change the rules, only the visibility that will be given to content.
The reason for the change is that videos uploaded by users of the site are a mixed blessing. YouTube is great because of them but it is also true that because they do not get the publicity it should. Yet we have tried: put text advertising on the page, banners, even video overlays, and more recently on the "Click To Buy", ie for each music video (the contents of this most absolute) shows the possibility of going to buy song in question on iTunes. However
which advertising might see its advertising next to a video potentially offensive, vulgar, stupid or just boring? No guarantees, no contracts. So now there's mass contained in reliable, secure and authorized (music videos, TV series and movies) to allow a new flow of money and a new phase (more adult) for video online.
by La Gazzetta dello Sport of 04/22/2009
of the most visited of all the network and although it is a database of unique video, the YouTube can not make money as it should. In the jargon it is said that "monetize users," meaning that each visit does not turn properly in cash, which is crucial for a totally free service. To monetize
thus changing design and especially internal organization. Today, the categories are shown on the home page of its own (and which reflect the philosophy of the site) Videos, Channels, and Communities. Three categories marked by the contributions of users. From April 16 the site instead will split in Movies, Music, and Video Show will be the only one of four new categories to encompass the videos posted by users, otherwise it will material considered "professional" and authorized by the copyright holders. Do not change the rules, only the visibility that will be given to content.
The reason for the change is that videos uploaded by users of the site are a mixed blessing. YouTube is great because of them but it is also true that because they do not get the publicity it should. Yet we have tried: put text advertising on the page, banners, even video overlays, and more recently on the "Click To Buy", ie for each music video (the contents of this most absolute) shows the possibility of going to buy song in question on iTunes. However
which advertising might see its advertising next to a video potentially offensive, vulgar, stupid or just boring? No guarantees, no contracts. So now there's mass contained in reliable, secure and authorized (music videos, TV series and movies) to allow a new flow of money and a new phase (more adult) for video online.
by La Gazzetta dello Sport of 04/22/2009
Prestige Alarm Keep Going Off
Blogs are the future of journalism in State Of Play
by WIRED.IT of 30/04/2009 
You know, some things are the evidence! "Is the constant criticism of Russell Crowe to Rachel McAdams in State of Play. The first is an old lion of the press and the second is a young blogger of the same publishing group (that of the Washington Post) and the rebuke is not mentioned other than the mantra that you hear (and read) often arise from the old world and the audacity of information bothered by the success of the best blog. The novelty is that in the film by Kevin Macdonald (Friday in our rooms), the print should think again.
For those familiar with the things of the Internet in State Of Play In fact, there is much more of a history of political and romantic intrigue to the upper floors of the U.S. government, there is all the information world is changing, the clash between those who are attached to newspapers and those who preach the religion of freedom of information blog: "Blogs are not the same thing in journalism, I like them, but they are different. It 's a bit sad to see but it seems to me that the future is between the young journalists of the Internet ", said Kevin Macdonald expressed in words, but a necessary corollary to these statements comes from what the director has put on the screen. It is also sad because it will see a world that is dying, but only to depress the sunset and not what follows.
State Of Play is the first film to stage with great intelligence and ambition without the social gap and traditionalist culture that separates the two classes of the world of information: newspapers and blogs. In the film the assault of the Washington Post editor and blogger of the editorial work accomplished two seemingly separate stories (one the first drug deal and a political dispute sentimental Ben Affleck in the second) that will prove to be rather closely related and thus forcing them to an unprecedented alliance. There
anticipate no more than a film more tense and closely linked with the classic style of the American political thriller. But what seems truly innovative as it is finally trying to bring all of the blogging revolution. For the first time in fact, a high-profile films intended for a general public staging pros and cons of the changes that the Internet has brought and is bringing in one of the many areas of content production.
The newspapers in America are in crisis and the question about their future is on the agenda, to us the situation is no different except that it shall be discussed under: "In America we read the blogs much more than the printed newspaper," says the director, "This will die soon." Macdonald, interviewed on the issue, shows how important it was for his film the relationship between the two protagonists, emblems of old journalism and new dimension to the network less formal, more direct and more agile.
We are sure you do not anticipate anything unpredictable saying that the two during the film learn to work together as we do not reveal anything the intricate web of espionage and political intrigue stressing that eventually there will be a painting of journalism on the net. The old lion of the press, initially reticent just talking to the girl arrogantly which symbolizes the end of his world will understand how blogging has the same value of journalism paper. One lesson is on the agenda for those practical things of the internet, but maybe it sounds revolutionary to the ears of the common spectator.
So what is Kevin Macdonald for the future of journalism? "I think there is a distinct difference between the future and the future of newspaper journalism: journalism can go to any support while newspapers do not particularly interest me." Do you think the transition from paper to online is painless? "No. Although there are great online titles such as the Huffington Post, which is real journalism and not to case now wants to hire 50 investigative reporter, the same I think the next 10 years will be the gold was for the corrupt politicians because they can do whatever they want because there are no more journalists to reveal its secrets. "
For now anyway the best scoop on politics, arrogant attitude of companies and thousands of small inconsistencies in the action of who should lead the country are arriving daily from the network.
For those familiar with the things of the Internet in State Of Play In fact, there is much more of a history of political and romantic intrigue to the upper floors of the U.S. government, there is all the information world is changing, the clash between those who are attached to newspapers and those who preach the religion of freedom of information blog: "Blogs are not the same thing in journalism, I like them, but they are different. It 's a bit sad to see but it seems to me that the future is between the young journalists of the Internet ", said Kevin Macdonald expressed in words, but a necessary corollary to these statements comes from what the director has put on the screen. It is also sad because it will see a world that is dying, but only to depress the sunset and not what follows.
State Of Play is the first film to stage with great intelligence and ambition without the social gap and traditionalist culture that separates the two classes of the world of information: newspapers and blogs. In the film the assault of the Washington Post editor and blogger of the editorial work accomplished two seemingly separate stories (one the first drug deal and a political dispute sentimental Ben Affleck in the second) that will prove to be rather closely related and thus forcing them to an unprecedented alliance. There
anticipate no more than a film more tense and closely linked with the classic style of the American political thriller. But what seems truly innovative as it is finally trying to bring all of the blogging revolution. For the first time in fact, a high-profile films intended for a general public staging pros and cons of the changes that the Internet has brought and is bringing in one of the many areas of content production.
The newspapers in America are in crisis and the question about their future is on the agenda, to us the situation is no different except that it shall be discussed under: "In America we read the blogs much more than the printed newspaper," says the director, "This will die soon." Macdonald, interviewed on the issue, shows how important it was for his film the relationship between the two protagonists, emblems of old journalism and new dimension to the network less formal, more direct and more agile.
We are sure you do not anticipate anything unpredictable saying that the two during the film learn to work together as we do not reveal anything the intricate web of espionage and political intrigue stressing that eventually there will be a painting of journalism on the net. The old lion of the press, initially reticent just talking to the girl arrogantly which symbolizes the end of his world will understand how blogging has the same value of journalism paper. One lesson is on the agenda for those practical things of the internet, but maybe it sounds revolutionary to the ears of the common spectator.
So what is Kevin Macdonald for the future of journalism? "I think there is a distinct difference between the future and the future of newspaper journalism: journalism can go to any support while newspapers do not particularly interest me." Do you think the transition from paper to online is painless? "No. Although there are great online titles such as the Huffington Post, which is real journalism and not to case now wants to hire 50 investigative reporter, the same I think the next 10 years will be the gold was for the corrupt politicians because they can do whatever they want because there are no more journalists to reveal its secrets. "
For now anyway the best scoop on politics, arrogant attitude of companies and thousands of small inconsistencies in the action of who should lead the country are arriving daily from the network.
by WIRED.IT of 30/04/2009
Getting Rid Of Impetigo Quickly Natural
REVIEW The Secret Life of Bees
by MYMOVIES.IT 
has certainly not all the security of the world that the little Lily in 4 years accidentally shot his mother and is forced to pass the following 10 years with a father who loves you and there is never to point it out. So when the measure is full escapes and embarks on a journey in search of their roots (in the footsteps of a similar one made by the mother) together with her carer with their own color in the year of signing of the declaration of civil rights for African Americans. To welcome a new family channel will have three sisters who produce honey-colored, but Lily will learn that despite the well-being is one thing to sign a piece of paper is one thing to make it come true.
Funny how the first scene of The Secret Life of Bees is clearly identical to the opening of Mean Streets. It is the only point of contact between an independent film and disruptive as that of Scorsese and this soothing and assured that it requires the viewer to teach his views in small pills of poetic wisdom put into the mouths of the actors (mostly farmers) and the many emotional blackmail. In this sense, it proves to be very honest the choice of a title (borrowed from the book that inspired) from the documentary school.
is the typical modus operandi by which America reflects its own history and handed down to the cinema. Not from the standpoint of its operation (or that of his reading as we usually do we) but the sentimental point of view. The subject of the film are not the facts that led to the signing of the Declaration of civil rights struggles of African Americans nor the (at most there is some reference pop to frame the question) but what it meant everything emotionally.
To achieve this the director Gina Prince-Bythewood choose a star cast of color (mostly singers) and relies only on it. All that the film intends to communicate through the actors, there are no other solutions for a director POSSIBLE totally anesthetized slumber on their faces. Good thing to write a scrap of credibility to everything there is Dakota Fanning, who at 14 years is one of the most extraordinary dramatic faces that can be considered today.
Everything in the film meets the viewer to confirm what he already thinks and strengthen their ideas. The casting (the matron of flesh, the young activist beautiful and a bit weak sister 'ugly but the big smile), characters (all one-way and no evolution), the plot (which reaches all'implausibilità although not surprising) and feelings in the game (" I just want to be loved by somebody! "). The rereading of Hollywood
emotional history of the country is also a form of archetypal tale that has its fixed forms and The Secret Life of Bees do not make it an escape to reach his goal (a smile for every tear) in the manner easier and safer. Dilutes any unexpected conflict and softens even the most bitter and dramatic moments in time before announcing them to show them, in order to pamper the viewer while reassures him again to the sound of simple smiles and tears to keep.
Funny how the first scene of The Secret Life of Bees is clearly identical to the opening of Mean Streets. It is the only point of contact between an independent film and disruptive as that of Scorsese and this soothing and assured that it requires the viewer to teach his views in small pills of poetic wisdom put into the mouths of the actors (mostly farmers) and the many emotional blackmail. In this sense, it proves to be very honest the choice of a title (borrowed from the book that inspired) from the documentary school.
is the typical modus operandi by which America reflects its own history and handed down to the cinema. Not from the standpoint of its operation (or that of his reading as we usually do we) but the sentimental point of view. The subject of the film are not the facts that led to the signing of the Declaration of civil rights struggles of African Americans nor the (at most there is some reference pop to frame the question) but what it meant everything emotionally.
To achieve this the director Gina Prince-Bythewood choose a star cast of color (mostly singers) and relies only on it. All that the film intends to communicate through the actors, there are no other solutions for a director POSSIBLE totally anesthetized slumber on their faces. Good thing to write a scrap of credibility to everything there is Dakota Fanning, who at 14 years is one of the most extraordinary dramatic faces that can be considered today.
Everything in the film meets the viewer to confirm what he already thinks and strengthen their ideas. The casting (the matron of flesh, the young activist beautiful and a bit weak sister 'ugly but the big smile), characters (all one-way and no evolution), the plot (which reaches all'implausibilità although not surprising) and feelings in the game (" I just want to be loved by somebody! "). The rereading of Hollywood
emotional history of the country is also a form of archetypal tale that has its fixed forms and The Secret Life of Bees do not make it an escape to reach his goal (a smile for every tear) in the manner easier and safer. Dilutes any unexpected conflict and softens even the most bitter and dramatic moments in time before announcing them to show them, in order to pamper the viewer while reassures him again to the sound of simple smiles and tears to keep.
by MYMOVIES.IT
Best Brazailian Wax Ottawa
REVIEW The Tale
A long time ago in the realm of a mouse Doremi born different. All other mice, constantly fearful and afraid, they call it "courageous" Despereaux is actually just curious, so much to overcome the natural fear that identifies his race. Is not the risk of triggering the traps to catch the cheese or venture into the rooms of humans to characterize, but the fact that instead of chewing the pages of books he read, attracted to the charm of the story. Through this intellectual leap
understand what is new and differs from the community that inevitably condemns him sent to the underground kingdom of rats, relatives treacherous, evil, dirty rats. Meet them Roscuro, a rat ship ended in error among his fellow city he somewhat different from others because a lover of light. Their adventures will cross
gallantly with the history of the kingdom of Doremi, overshadowed by the death of his queen and private lifeblood.
The Tale of Despereaux is a true modern fairy tale. In the mythological tale keeps the whole system (the kingdoms ruled by kings good but saddened, princesses, knights, the enemies to defeat, betrayal, recognitions and business) but contamination with all the modern way of understanding a story . Despereaux dreams of being like the knights of which reads the adventures and his life is modeled on the style in imitation of a story and story-typical of postmodernism, so too the role of princess is understood only from what they already we know its features topical to achieve more and more of everything then it is a tale of physical and intellectual activities.
For this end, the first feature film in computer graphic Universal speaks straight to the hearts of adults, or at least the young adults, although obviously it is proposed as a product for children. A far cry from the double reading levels of Dreamworks and Pixar cartoon, The Tale of Despereaux communicate what the its target in each image has a subtext, but very high and very far from a moral background of the Christian mold we're used to (good and evil are not opposed but dialectically continuous contamination).
This is a particular product and sophisticated in the choice of an aesthetic style of painting in some ways recalls the traditional fairytale illustrations and inserts in some imaginary classic Disney says its intellectual diversity.
deliberately devoid of humor and action Dreamworks devastating fury of many children's products may lack business purpose but certainly the work of Sam Fell (who adapted the story by Kate DiCamillo) will remain as one of the experiment most unusual and intriguing of its kind.
by MYMOVIES.IT
understand what is new and differs from the community that inevitably condemns him sent to the underground kingdom of rats, relatives treacherous, evil, dirty rats. Meet them Roscuro, a rat ship ended in error among his fellow city he somewhat different from others because a lover of light. Their adventures will cross
gallantly with the history of the kingdom of Doremi, overshadowed by the death of his queen and private lifeblood.
The Tale of Despereaux is a true modern fairy tale. In the mythological tale keeps the whole system (the kingdoms ruled by kings good but saddened, princesses, knights, the enemies to defeat, betrayal, recognitions and business) but contamination with all the modern way of understanding a story . Despereaux dreams of being like the knights of which reads the adventures and his life is modeled on the style in imitation of a story and story-typical of postmodernism, so too the role of princess is understood only from what they already we know its features topical to achieve more and more of everything then it is a tale of physical and intellectual activities.
For this end, the first feature film in computer graphic Universal speaks straight to the hearts of adults, or at least the young adults, although obviously it is proposed as a product for children. A far cry from the double reading levels of Dreamworks and Pixar cartoon, The Tale of Despereaux communicate what the its target in each image has a subtext, but very high and very far from a moral background of the Christian mold we're used to (good and evil are not opposed but dialectically continuous contamination).
This is a particular product and sophisticated in the choice of an aesthetic style of painting in some ways recalls the traditional fairytale illustrations and inserts in some imaginary classic Disney says its intellectual diversity.
deliberately devoid of humor and action Dreamworks devastating fury of many children's products may lack business purpose but certainly the work of Sam Fell (who adapted the story by Kate DiCamillo) will remain as one of the experiment most unusual and intriguing of its kind.
by MYMOVIES.IT
Convert Stationwagon To Camper
REVIEW Louise Michel
Before hassled, working hours and shifts infamous and then left without a job by the sudden closure of bankrupt textile factory where they work, a handful of workers gathered to decide what do with the money from the settlement opt \u200b\u200bfor the more sensible choice: use it to hire a hitman to kill the boss. But in a corporation is not always easy to understand who the real boss. Shabby, incompetent, ruthless but incredibly determined to finish the job, a killer on Sunday (which actually first was a woman) and one of the employed (which actually used to be a man) are also willing to travel outside of France on a boat of illegal immigrants in order to find the real boss and get him out. This story
semi-serious (but hilarious!) Of how a handful of customers have become used to a massacre of officials is one of the most genuinely anarchic and surreal films of the year, a true comedy of resistance to the civil and social life that already was noted at the Rome Film Festival. Everything in it becomes an act of rebellion to an order also, and especially what the two protagonists poor (precisely and Louise Michel) certainly not intended as such. The sexual tipping
is at the same time demonstration of the folly of social rules (both change their sex to find a job) and a part of a more general chaos which also includes things to not being able to read nor write, a detail that in the contemporary world can even cause death!
Nothing can stop the little workers in their murderous rage is overwhelmed with the strict hierarchical corporate structures. Should also come to exterminate the entire leadership responsible, message made even clearer by the end caption that explains how to Louise Michel is also the name of a famous French anarchist of the early Twentieth Century. The directors Delépine
Benoît and Gustave de Kervern support (anarchists) do not know the technique of cinema and simply to frame what they want to show, but it is absolutely true. They know it and how! There is no image behind the composition of which is not a deep reflection on what element of the scene should be underlined or not you hide behind which a moral evaluation. There is no shopping cart that is not essential (for comic purposes, impressive or narrative) and there is no forcing of the normal story that is a fine diversion useful to tell the world (such as the flashbacks are short of players) . Have fun with a simple but effective comedy, often triggered by the contrast between what is and what stage you can only hear fuoriscena. And even when they put a very short time it's sentimental moments to capture all made with great knowledge of cinema.
by MYMOVIES.IT
semi-serious (but hilarious!) Of how a handful of customers have become used to a massacre of officials is one of the most genuinely anarchic and surreal films of the year, a true comedy of resistance to the civil and social life that already was noted at the Rome Film Festival. Everything in it becomes an act of rebellion to an order also, and especially what the two protagonists poor (precisely and Louise Michel) certainly not intended as such. The sexual tipping
is at the same time demonstration of the folly of social rules (both change their sex to find a job) and a part of a more general chaos which also includes things to not being able to read nor write, a detail that in the contemporary world can even cause death!
Nothing can stop the little workers in their murderous rage is overwhelmed with the strict hierarchical corporate structures. Should also come to exterminate the entire leadership responsible, message made even clearer by the end caption that explains how to Louise Michel is also the name of a famous French anarchist of the early Twentieth Century. The directors Delépine
Benoît and Gustave de Kervern support (anarchists) do not know the technique of cinema and simply to frame what they want to show, but it is absolutely true. They know it and how! There is no image behind the composition of which is not a deep reflection on what element of the scene should be underlined or not you hide behind which a moral evaluation. There is no shopping cart that is not essential (for comic purposes, impressive or narrative) and there is no forcing of the normal story that is a fine diversion useful to tell the world (such as the flashbacks are short of players) . Have fun with a simple but effective comedy, often triggered by the contrast between what is and what stage you can only hear fuoriscena. And even when they put a very short time it's sentimental moments to capture all made with great knowledge of cinema.
by MYMOVIES.IT
Formal Spanish Wedding Invitation
Despereaux Movie identikit Pirate Italic
PIRATES AND PIRATES
Data from FAPAV in association with IPSOS on audiovisual piracy in Italy are very interesting: a thing we never was made. But it should be read carefully and especially keeping in mind the methodology used. The criterion used, namely the house of interviews (made from house to house and not the phone), it is more reliable than others. But the confession of what is erroneously perceived as an attitude (as well as an offense is not penalized) can reveal the problems that it seems a glimpse.
Certainly, however, there are numbers. 32% of the sample of 2,000 individuals surveyed stated that it was pirated in some way, whether for files downloaded from the network (21% of the total), which bought the DVD stalls (17%) or the so-called indirect piracy (24 %), ie having pirated movies or borrow from friends. In most everyone said they exercised at least once all three forms of piracy. The attacker also
online is generally young (between 15 and 24 years), has a high school diploma and is studying, living in the north-west and is a strong user of technology. Unlike other hand, the physical attacker has at least 33 years, generally live South, has a diploma in lower secondary school, is married and has a clerical job.
course, is to dominate more and more Internet piracy is declining physical and digital on the rise. Although they remain the most widely practiced form of retrieval of online content, including peer to peer and download are down to the stream. To date, 20% see movies illegally downloading while the 3.8% only watch them in streaming, but all agree on whether the numbers are reversed in the future.
These films are mostly first run at least 60% of cases (and 20% of those not yet in the cinema), while a surprising 30% are more titles old. But all (96%) are in Italian. The attacker would be more sophisticated in its demands than he is painted, so that only 10% of cases are dissatisfied with the quality of what it finds, while in the case of physical piracy is 30% of cases. Perhaps it is this search and this "professionalism" in the offer to lead the attacker to not charge the illegality of what he does. 60% knows that it is a crime but then she perceives it as such: not even the pirates do not perceive it as such and not condemn those who, unlike them, he sees movies illegally.
The speech, however, is unfortunately more difficult when shows the qualitative data, that is, those derived from in-depth interviews and in order to understand the habits of the pirate and his way of seeing the film. More difficult because the final picture does not fit much with what we usually see, with the pirates we know and with the logic of the act. The methodology followed in this case was that of focus groups (ie group of different types of interviews that go deeper) with teenagers, children and adults. What he left out the range 20-30 years, one of the most involved, according to the data.
The result is that the pirate the PC is "the pivot around which revolves a large part of their free time, a key to the world, much emotional investment which is very often in close connection "and the film is" content to be consumed quickly and in quantity, vision lose the frame of reference and any bank going in derogation quality audio and video without problems. The vision is especially at home and on the PC as a filler of downtime. "
The attacker does not (there is a name that identifies him only in relation to the pirate) sees the PC as" an opportunity among others, a channel of communication and entertainment but not all of their free time and interests "and the film is" entertainment but also an object of cultural value and distinctive vision is characterized by a precise ritual peculiar So the quality is a prerequisite. The vision is especially true when it is home to the cinema and it preserves the specificity.
What does not seem to go first of all is the speech quality. The attacker would be mindless quality because it consumes and does not see the film, but then in the quantitative part of Research explains how to really judge a satisfactory quality of pirated copies (which in fact is often high). In addition to this then it is strange how the pirate seems less interested in the film although the film did not see more pirate (because in addition to the illegal copies to be in the cinema) and little cultured, when the data identifies it as having a high school diploma and university student.
Also during the presentation of the data were also shown the disturbing pictures, for privacy reasons were not disclosed but the press had a role that has appeared, perhaps, the end is not too different from that of plastic in reconstructions TV Cogne murder. Had in fact been asked of children under the age of probably 13 years to draw "a vision of a movie."
The drawings of children who are familiar with pirated or piracy were small in large sheets and without colors! Small compared to the rest of them retreated and were essentially devoid of any stimulus. In two words: sad and chilling. In contrast designs children unrelated to piracy were big, playful, imaginative, colorful and full of ideas. Legitimate question about what we have tried to communicate with this type of detection. It would appear that children who follow all the rules are more imaginative and creative instead of those who act outside the norms imposed by the authorities. So who then is that pirate in gray. The message attached to this show it became clear: a wish that our children are not like those pirated.
FOOD MARKET
It was also said that piracy was removed from the cinema with a turnover of nearly EUR 600 million. A figure calculated by asking each respondent what he would do if he had found the last film that pirated. Depending on the type of response ("I would go to the movies," "I'd rented," "I would have looked on television" or "nothing") have been assessed, the money lost ticket or the rental and then multiplied these data for all pirated movies. Presented as a given official, but then the president of Philip FAPAV Roviglioni, interviewed on the issue, said as "not precise but are roughly the money."
There was also mention of the fact that according to data Cinetel (which is the official organ of detection) from 2003 until today, tickets sold increased and not decreased. Never, not even a year (the only exception 2007/2008 was the shift, but in that case, the experts say, the decline was due to the fact that 2007 was an exceptional year for the number of blockbusters out) and in the same way since 2003 to now DVD sales have always increased from year to year (data Univideo). The only thing that has fallen (dramatically) was rented. The attacker then goes to the movies and buy the DVD, even more than before. That is, as is normal, more than a passion to see film cinema. Questioned on the issue, Philip Roviglioni always argued that it is true that tickets have increased. Informed sources said that the data "Here you make a speech more generally, in Italy there is a law that is enforced. "
There was also space to finally suggest possible remedies. FAPAV explained how the research was meant to be a useful tool in the hands of the government, hoping that thanks to the committee recently active you can come to a remedy. FAPAV suggests a path chosen on the French model. In this regard Roviglioni also told of the first timid attempts raised by the Federation: "A month ago with a software we found a number of people who download movies and music. We went to the magistrate very happy with your name, the magistrate asked us how we had obtained and because obviously the pirates in question were not told us who risked their will to be investigated for violation of privacy. We then went to talk to number two on privacy that only told us how to share our sense of helplessness and frustration. "
in the same direction is given to the secretary communications Paolo Romani:" We in Europe are close the French position and currently the only question that is only if we act before or after the intervention of the judiciary. "He spoke in short, to" put a filter on these sites "(sic) until he entered the concerned that some directors and film producers have taken to the presentation, which proved a different view, suggesting in some cases to challenge solutions seem to agree that better to market developments. Paolo Virzi
was the first to speak with a certain verve, defending his own class (then, to finished presentation has also candidly admitted that he walked the hand, because then he is in first person is a director and for this the court to decide these things). He launched a strong charge to ISPs, which it believes the real culprits: "A boy is charged € 50 a month for a broadband connection, and those are stolen money to the movies." The director of Whole Life Ahead aims to combat piracy without prosecuting those who download but with a better legal alternative: "We must be the ones to put online movies a year ago, is well quality, full of extras and things ganze! It should be inexpensive, 50 cents or a euro. "
spoke again, Roviglioni held to distance themselves from the attack to the ISP and also the remedy deemed appropriate but perhaps not very effective at this time the main purpose would be to to fight against piracy.
following intervention but also went in the direction of that of Virzi, indeed even further, with a proposal more attractive to Henry Vanzina. He was in favor of zeroing distribution window: "Let's go to the cinema, on DVD, on TV and online with a movie at the same time then each choose how to see it." An idea buzzing for some time and that essentially gives attackers exactly what they already have but better and at an affordable price.
Even the producers, represented by Riccardo Tozzi's Cattleya (My Brother is an Only Child, only a father) said they were more than favorable to set up an alternative legal at low prices: "With the volumes of the Internet that you want that it takes to get them cheap? ".
One wonders where the problem is if all the content producers agree. Warner, who will then help is to know how we are already moving and very much for sale and rent online. However, the shops currently do not always accept the Italian network to put their films and put them at a price content because there are no other production houses. The user, say the sellers, does not understand what movie belongs to which home and if it finds what it seeks simply think that the site has a good offer. And maybe never comes back.
from the point of computer 17/04/2009 
PIRATES AND PIRATES
Data from FAPAV in association with IPSOS on audiovisual piracy in Italy are very interesting: a thing we never was made. But it should be read carefully and especially keeping in mind the methodology used. The criterion used, namely the house of interviews (made from house to house and not the phone), it is more reliable than others. But the confession of what is erroneously perceived as an attitude (as well as an offense is not penalized) can reveal the problems that it seems a glimpse.
Certainly, however, there are numbers. 32% of the sample of 2,000 individuals surveyed stated that it was pirated in some way, whether for files downloaded from the network (21% of the total), which bought the DVD stalls (17%) or the so-called indirect piracy (24 %), ie having pirated movies or borrow from friends. In most everyone said they exercised at least once all three forms of piracy. The attacker also
online is generally young (between 15 and 24 years), has a high school diploma and is studying, living in the north-west and is a strong user of technology. Unlike other hand, the physical attacker has at least 33 years, generally live South, has a diploma in lower secondary school, is married and has a clerical job.
course, is to dominate more and more Internet piracy is declining physical and digital on the rise. Although they remain the most widely practiced form of retrieval of online content, including peer to peer and download are down to the stream. To date, 20% see movies illegally downloading while the 3.8% only watch them in streaming, but all agree on whether the numbers are reversed in the future.
These films are mostly first run at least 60% of cases (and 20% of those not yet in the cinema), while a surprising 30% are more titles old. But all (96%) are in Italian. The attacker would be more sophisticated in its demands than he is painted, so that only 10% of cases are dissatisfied with the quality of what it finds, while in the case of physical piracy is 30% of cases. Perhaps it is this search and this "professionalism" in the offer to lead the attacker to not charge the illegality of what he does. 60% knows that it is a crime but then she perceives it as such: not even the pirates do not perceive it as such and not condemn those who, unlike them, he sees movies illegally.
The speech, however, is unfortunately more difficult when shows the qualitative data, that is, those derived from in-depth interviews and in order to understand the habits of the pirate and his way of seeing the film. More difficult because the final picture does not fit much with what we usually see, with the pirates we know and with the logic of the act. The methodology followed in this case was that of focus groups (ie group of different types of interviews that go deeper) with teenagers, children and adults. What he left out the range 20-30 years, one of the most involved, according to the data.
The result is that the pirate the PC is "the pivot around which revolves a large part of their free time, a key to the world, much emotional investment which is very often in close connection "and the film is" content to be consumed quickly and in quantity, vision lose the frame of reference and any bank going in derogation quality audio and video without problems. The vision is especially at home and on the PC as a filler of downtime. "
The attacker does not (there is a name that identifies him only in relation to the pirate) sees the PC as" an opportunity among others, a channel of communication and entertainment but not all of their free time and interests "and the film is" entertainment but also an object of cultural value and distinctive vision is characterized by a precise ritual peculiar So the quality is a prerequisite. The vision is especially true when it is home to the cinema and it preserves the specificity.
What does not seem to go first of all is the speech quality. The attacker would be mindless quality because it consumes and does not see the film, but then in the quantitative part of Research explains how to really judge a satisfactory quality of pirated copies (which in fact is often high). In addition to this then it is strange how the pirate seems less interested in the film although the film did not see more pirate (because in addition to the illegal copies to be in the cinema) and little cultured, when the data identifies it as having a high school diploma and university student.
Also during the presentation of the data were also shown the disturbing pictures, for privacy reasons were not disclosed but the press had a role that has appeared, perhaps, the end is not too different from that of plastic in reconstructions TV Cogne murder. Had in fact been asked of children under the age of probably 13 years to draw "a vision of a movie."
The drawings of children who are familiar with pirated or piracy were small in large sheets and without colors! Small compared to the rest of them retreated and were essentially devoid of any stimulus. In two words: sad and chilling. In contrast designs children unrelated to piracy were big, playful, imaginative, colorful and full of ideas. Legitimate question about what we have tried to communicate with this type of detection. It would appear that children who follow all the rules are more imaginative and creative instead of those who act outside the norms imposed by the authorities. So who then is that pirate in gray. The message attached to this show it became clear: a wish that our children are not like those pirated.
FOOD MARKET
It was also said that piracy was removed from the cinema with a turnover of nearly EUR 600 million. A figure calculated by asking each respondent what he would do if he had found the last film that pirated. Depending on the type of response ("I would go to the movies," "I'd rented," "I would have looked on television" or "nothing") have been assessed, the money lost ticket or the rental and then multiplied these data for all pirated movies. Presented as a given official, but then the president of Philip FAPAV Roviglioni, interviewed on the issue, said as "not precise but are roughly the money."
There was also mention of the fact that according to data Cinetel (which is the official organ of detection) from 2003 until today, tickets sold increased and not decreased. Never, not even a year (the only exception 2007/2008 was the shift, but in that case, the experts say, the decline was due to the fact that 2007 was an exceptional year for the number of blockbusters out) and in the same way since 2003 to now DVD sales have always increased from year to year (data Univideo). The only thing that has fallen (dramatically) was rented. The attacker then goes to the movies and buy the DVD, even more than before. That is, as is normal, more than a passion to see film cinema. Questioned on the issue, Philip Roviglioni always argued that it is true that tickets have increased. Informed sources said that the data "Here you make a speech more generally, in Italy there is a law that is enforced. "
There was also space to finally suggest possible remedies. FAPAV explained how the research was meant to be a useful tool in the hands of the government, hoping that thanks to the committee recently active you can come to a remedy. FAPAV suggests a path chosen on the French model. In this regard Roviglioni also told of the first timid attempts raised by the Federation: "A month ago with a software we found a number of people who download movies and music. We went to the magistrate very happy with your name, the magistrate asked us how we had obtained and because obviously the pirates in question were not told us who risked their will to be investigated for violation of privacy. We then went to talk to number two on privacy that only told us how to share our sense of helplessness and frustration. "
in the same direction is given to the secretary communications Paolo Romani:" We in Europe are close the French position and currently the only question that is only if we act before or after the intervention of the judiciary. "He spoke in short, to" put a filter on these sites "(sic) until he entered the concerned that some directors and film producers have taken to the presentation, which proved a different view, suggesting in some cases to challenge solutions seem to agree that better to market developments. Paolo Virzi
was the first to speak with a certain verve, defending his own class (then, to finished presentation has also candidly admitted that he walked the hand, because then he is in first person is a director and for this the court to decide these things). He launched a strong charge to ISPs, which it believes the real culprits: "A boy is charged € 50 a month for a broadband connection, and those are stolen money to the movies." The director of Whole Life Ahead aims to combat piracy without prosecuting those who download but with a better legal alternative: "We must be the ones to put online movies a year ago, is well quality, full of extras and things ganze! It should be inexpensive, 50 cents or a euro. "
spoke again, Roviglioni held to distance themselves from the attack to the ISP and also the remedy deemed appropriate but perhaps not very effective at this time the main purpose would be to to fight against piracy.
following intervention but also went in the direction of that of Virzi, indeed even further, with a proposal more attractive to Henry Vanzina. He was in favor of zeroing distribution window: "Let's go to the cinema, on DVD, on TV and online with a movie at the same time then each choose how to see it." An idea buzzing for some time and that essentially gives attackers exactly what they already have but better and at an affordable price.
Even the producers, represented by Riccardo Tozzi's Cattleya (My Brother is an Only Child, only a father) said they were more than favorable to set up an alternative legal at low prices: "With the volumes of the Internet that you want that it takes to get them cheap? ".
One wonders where the problem is if all the content producers agree. Warner, who will then help is to know how we are already moving and very much for sale and rent online. However, the shops currently do not always accept the Italian network to put their films and put them at a price content because there are no other production houses. The user, say the sellers, does not understand what movie belongs to which home and if it finds what it seeks simply think that the site has a good offer. And maybe never comes back.
from the point of computer 17/04/2009
Can You Get Lymes Disease From Undercooked Meat
leaves Rocketboom Joanne Colan
not feel Joanne Colan said with his beautiful English accent: "Hi I'm Joanne and this is Rocketboom, on Friday it is no longer the host of the show Andrew Baron. And if the news upsets you know that there is only a problem for you. Rocketboom
What is the show on the network most important thing he says the fact that about 3 years ago when Amanda Congdon, the first historical face, he dropped to internal disagreements, ABC News has now taken to putting it in traditional television. A transition from old to new medium at that time was unprecedented, as is everything that surrounds the show by Andrew Baron.
arrived precisely at that time to replace Joanne Colan, formerly known face thanks to years of activism in MTV UK ("Scandal! One of the TV network that passes !!"), a girl beautiful as the previous one, but much more skilled, professional and competent. Yet despite all this, many in Italy the word Rocketboom does not raise that sardonic smile on his face that materialize qualiasiasi heavy users of other American network, given that smirk from sharing knowledge of a product smart, funny, appreciated and followed by anyone wishing to network or new audiovisual formats.
If you have not understood what you are talking you can get an idea of \u200b\u200bhow Rocketboom destroy and rebuild the ancient concept of immersing TG watching an episode of the network goodbye to Joanne, put online on Friday. It 's a collage of many moments-Rocketboom. The result is a light-hearted but be aware that part right on the sidelines of all this show offers interviews with interesting players in the world of the Internet (because really there is another?), Coverage of international events and no one tells stories. Today
Rocketboom is a money machine, but in 2005, just one year after its launch, was present on the test screen of the new feature of the iMac G5 videopodcast seguitissima during one of the keynote by Steve Jobs in 2006 at about 400,000 viewers daily. Today, Rocketboom has several spin-off (the most interesting and original of which is Know Your Meme, very little has a sponsorship deal with Intel since last summer and a distribution deal with Sony (which we know only that the technology giant pays a sum to 7 numbers).
And now? Monday to lead Rocketboom is Caitilin Hill, chosen not by chance as it has been noticed in recent years on YouTube. Starting from a videorisposta to one of the first episodes of lonelygirl15 online series, has launched its channel Caitilin TheHill88 where he held a vlog come to be the second most subscribed channel of Australia and the 49th in the world (a position in less than DiscoveryNetworks and a few more than the BBC). His debut in the show was not the easiest but it is clear that in the very year of vlogging have given a confidence and trust with the public and the style of the video network, that no one would present Canon (and which in its early Joanne Colan did not have time).
Even this gives a sense of what Rocketboom and Andrew Baron who is above all, a real one mind behind the whole project. Baron has put in place by only a point of reference on how we do and how to distribute video online, so you can count on friendships, partnerships and recruitment of the first order. When he tried to open a division on the West Coast of the show was to present LisaNova, other undoubted star of the video blogging (14th most subscribed channel on YouTube in the category of absolute Director).
is why when we wonder how we miss something like that mentality, freshness, intelligence and resourcefulness probably should wonder first of all as there is no knowledge of what happens in the rest of the world and products are not as Rocketboom Note the should.
by WIRED.IT of 04/22/2009
What is the show on the network most important thing he says the fact that about 3 years ago when Amanda Congdon, the first historical face, he dropped to internal disagreements, ABC News has now taken to putting it in traditional television. A transition from old to new medium at that time was unprecedented, as is everything that surrounds the show by Andrew Baron.
arrived precisely at that time to replace Joanne Colan, formerly known face thanks to years of activism in MTV UK ("Scandal! One of the TV network that passes !!"), a girl beautiful as the previous one, but much more skilled, professional and competent. Yet despite all this, many in Italy the word Rocketboom does not raise that sardonic smile on his face that materialize qualiasiasi heavy users of other American network, given that smirk from sharing knowledge of a product smart, funny, appreciated and followed by anyone wishing to network or new audiovisual formats.
If you have not understood what you are talking you can get an idea of \u200b\u200bhow Rocketboom destroy and rebuild the ancient concept of immersing TG watching an episode of the network goodbye to Joanne, put online on Friday. It 's a collage of many moments-Rocketboom. The result is a light-hearted but be aware that part right on the sidelines of all this show offers interviews with interesting players in the world of the Internet (because really there is another?), Coverage of international events and no one tells stories. Today
Rocketboom is a money machine, but in 2005, just one year after its launch, was present on the test screen of the new feature of the iMac G5 videopodcast seguitissima during one of the keynote by Steve Jobs in 2006 at about 400,000 viewers daily. Today, Rocketboom has several spin-off (the most interesting and original of which is Know Your Meme, very little has a sponsorship deal with Intel since last summer and a distribution deal with Sony (which we know only that the technology giant pays a sum to 7 numbers).
And now? Monday to lead Rocketboom is Caitilin Hill, chosen not by chance as it has been noticed in recent years on YouTube. Starting from a videorisposta to one of the first episodes of lonelygirl15 online series, has launched its channel Caitilin TheHill88 where he held a vlog come to be the second most subscribed channel of Australia and the 49th in the world (a position in less than DiscoveryNetworks and a few more than the BBC). His debut in the show was not the easiest but it is clear that in the very year of vlogging have given a confidence and trust with the public and the style of the video network, that no one would present Canon (and which in its early Joanne Colan did not have time).
Even this gives a sense of what Rocketboom and Andrew Baron who is above all, a real one mind behind the whole project. Baron has put in place by only a point of reference on how we do and how to distribute video online, so you can count on friendships, partnerships and recruitment of the first order. When he tried to open a division on the West Coast of the show was to present LisaNova, other undoubted star of the video blogging (14th most subscribed channel on YouTube in the category of absolute Director).
is why when we wonder how we miss something like that mentality, freshness, intelligence and resourcefulness probably should wonder first of all as there is no knowledge of what happens in the rest of the world and products are not as Rocketboom Note the should.
by WIRED.IT of 04/22/2009
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