has certainly not all the security of the world that the little Lily in 4 years accidentally shot his mother and is forced to pass the following 10 years with a father who loves you and there is never to point it out. So when the measure is full escapes and embarks on a journey in search of their roots (in the footsteps of a similar one made by the mother) together with her carer with their own color in the year of signing of the declaration of civil rights for African Americans. To welcome a new family channel will have three sisters who produce honey-colored, but Lily will learn that despite the well-being is one thing to sign a piece of paper is one thing to make it come true.
Funny how the first scene of The Secret Life of Bees is clearly identical to the opening of Mean Streets. It is the only point of contact between an independent film and disruptive as that of Scorsese and this soothing and assured that it requires the viewer to teach his views in small pills of poetic wisdom put into the mouths of the actors (mostly farmers) and the many emotional blackmail. In this sense, it proves to be very honest the choice of a title (borrowed from the book that inspired) from the documentary school.
is the typical modus operandi by which America reflects its own history and handed down to the cinema. Not from the standpoint of its operation (or that of his reading as we usually do we) but the sentimental point of view. The subject of the film are not the facts that led to the signing of the Declaration of civil rights struggles of African Americans nor the (at most there is some reference pop to frame the question) but what it meant everything emotionally.
To achieve this the director Gina Prince-Bythewood choose a star cast of color (mostly singers) and relies only on it. All that the film intends to communicate through the actors, there are no other solutions for a director POSSIBLE totally anesthetized slumber on their faces. Good thing to write a scrap of credibility to everything there is Dakota Fanning, who at 14 years is one of the most extraordinary dramatic faces that can be considered today.
Everything in the film meets the viewer to confirm what he already thinks and strengthen their ideas. The casting (the matron of flesh, the young activist beautiful and a bit weak sister 'ugly but the big smile), characters (all one-way and no evolution), the plot (which reaches all'implausibilità although not surprising) and feelings in the game (" I just want to be loved by somebody! "). The rereading of Hollywood
emotional history of the country is also a form of archetypal tale that has its fixed forms and The Secret Life of Bees do not make it an escape to reach his goal (a smile for every tear) in the manner easier and safer. Dilutes any unexpected conflict and softens even the most bitter and dramatic moments in time before announcing them to show them, in order to pamper the viewer while reassures him again to the sound of simple smiles and tears to keep.
Funny how the first scene of The Secret Life of Bees is clearly identical to the opening of Mean Streets. It is the only point of contact between an independent film and disruptive as that of Scorsese and this soothing and assured that it requires the viewer to teach his views in small pills of poetic wisdom put into the mouths of the actors (mostly farmers) and the many emotional blackmail. In this sense, it proves to be very honest the choice of a title (borrowed from the book that inspired) from the documentary school.
is the typical modus operandi by which America reflects its own history and handed down to the cinema. Not from the standpoint of its operation (or that of his reading as we usually do we) but the sentimental point of view. The subject of the film are not the facts that led to the signing of the Declaration of civil rights struggles of African Americans nor the (at most there is some reference pop to frame the question) but what it meant everything emotionally.
To achieve this the director Gina Prince-Bythewood choose a star cast of color (mostly singers) and relies only on it. All that the film intends to communicate through the actors, there are no other solutions for a director POSSIBLE totally anesthetized slumber on their faces. Good thing to write a scrap of credibility to everything there is Dakota Fanning, who at 14 years is one of the most extraordinary dramatic faces that can be considered today.
Everything in the film meets the viewer to confirm what he already thinks and strengthen their ideas. The casting (the matron of flesh, the young activist beautiful and a bit weak sister 'ugly but the big smile), characters (all one-way and no evolution), the plot (which reaches all'implausibilità although not surprising) and feelings in the game (" I just want to be loved by somebody! "). The rereading of Hollywood
emotional history of the country is also a form of archetypal tale that has its fixed forms and The Secret Life of Bees do not make it an escape to reach his goal (a smile for every tear) in the manner easier and safer. Dilutes any unexpected conflict and softens even the most bitter and dramatic moments in time before announcing them to show them, in order to pamper the viewer while reassures him again to the sound of simple smiles and tears to keep.
by MYMOVIES.IT
0 comments:
Post a Comment